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	<title>Comments on: Preface: Why Participate?</title>
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	<link>http://www.participatorymuseum.org/preface/</link>
	<description>A book by Nina Simon</description>
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		<title>By: Incubate Innovation &#187; Blog Archive &#187; Read: The Participatory Museum by Nina Simon</title>
		<link>http://www.participatorymuseum.org/preface/comment-page-1/#comment-4881</link>
		<dc:creator>Incubate Innovation &#187; Blog Archive &#187; Read: The Participatory Museum by Nina Simon</dc:creator>
		<pubDate>Wed, 27 Jul 2011 12:26:04 +0000</pubDate>
		<guid isPermaLink="false">http://www.participatorymuseum.org/?p=36#comment-4881</guid>
		<description>[...] text above is a statement from the preface of The Participatory Museum: a book/guide to working with community members and visitors for cultural institutions. All the [...]</description>
		<content:encoded><![CDATA[<p>[...] text above is a statement from the preface of The Participatory Museum: a book/guide to working with community members and visitors for cultural institutions. All the [...]</p>
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		<title>By: Nina Simon og det brugerinddragende museum &#124; Martins Museumsblog</title>
		<link>http://www.participatorymuseum.org/preface/comment-page-1/#comment-4739</link>
		<dc:creator>Nina Simon og det brugerinddragende museum &#124; Martins Museumsblog</dc:creator>
		<pubDate>Sat, 11 Jun 2011 07:19:59 +0000</pubDate>
		<guid isPermaLink="false">http://www.participatorymuseum.org/?p=36#comment-4739</guid>
		<description>[...] (The Participatory Museum, preface) [...]</description>
		<content:encoded><![CDATA[<p>[...] (The Participatory Museum, preface) [...]</p>
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		<title>By: Esimene lugemine &#124; Museoloogia lugemisrühm</title>
		<link>http://www.participatorymuseum.org/preface/comment-page-1/#comment-4716</link>
		<dc:creator>Esimene lugemine &#124; Museoloogia lugemisrühm</dc:creator>
		<pubDate>Mon, 21 Feb 2011 20:25:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.participatorymuseum.org/?p=36#comment-4716</guid>
		<description>[...] et on veel palju uusi kaasamis- ja osalemisvõimalusi, mis tuleb alles avastada ja tööle panna. Eessõnas võtab Simon need hirmud kokku kujuteldava külastaja suu läbi ning annab ühtlasi lootust, et [...]</description>
		<content:encoded><![CDATA[<p>[...] et on veel palju uusi kaasamis- ja osalemisvõimalusi, mis tuleb alles avastada ja tööle panna. Eessõnas võtab Simon need hirmud kokku kujuteldava külastaja suu läbi ning annab ühtlasi lootust, et [...]</p>
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	<item>
		<title>By: Hakkame pihta! &#124; Museoloogia lugemisrühm</title>
		<link>http://www.participatorymuseum.org/preface/comment-page-1/#comment-4707</link>
		<dc:creator>Hakkame pihta! &#124; Museoloogia lugemisrühm</dc:creator>
		<pubDate>Wed, 02 Feb 2011 10:16:58 +0000</pubDate>
		<guid isPermaLink="false">http://www.participatorymuseum.org/?p=36#comment-4707</guid>
		<description>[...] korral arutame raamatu The Participatory Museum eessõna ning 1. ja 2. peatüki üle. Hakkame koos käima paari-kolme nädala tagant külakorda eri [...]</description>
		<content:encoded><![CDATA[<p>[...] korral arutame raamatu The Participatory Museum eessõna ning 1. ja 2. peatüki üle. Hakkame koos käima paari-kolme nädala tagant külakorda eri [...]</p>
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	<item>
		<title>By: GLAM WIKI 2010 &#124; Jo Healy&#39;s Blog</title>
		<link>http://www.participatorymuseum.org/preface/comment-page-1/#comment-4696</link>
		<dc:creator>GLAM WIKI 2010 &#124; Jo Healy&#39;s Blog</dc:creator>
		<pubDate>Mon, 06 Dec 2010 11:13:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.participatorymuseum.org/?p=36#comment-4696</guid>
		<description>[...]  The Participatory Museum – Nina Simon Encouraging Digital Access to Culture, a report. Jon Droro for DCMS March 10 Content: selected essays on technology, Cory Doctrow [...]</description>
		<content:encoded><![CDATA[<p>[...]  The Participatory Museum – Nina Simon Encouraging Digital Access to Culture, a report. Jon Droro for DCMS March 10 Content: selected essays on technology, Cory Doctrow [...]</p>
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		<title>By: 07. Museums, Libraries, and Archives in the Digital Age &#124; History 9808</title>
		<link>http://www.participatorymuseum.org/preface/comment-page-1/#comment-4677</link>
		<dc:creator>07. Museums, Libraries, and Archives in the Digital Age &#124; History 9808</dc:creator>
		<pubDate>Fri, 22 Oct 2010 03:39:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.participatorymuseum.org/?p=36#comment-4677</guid>
		<description>[...] You can read the whole book online. If you&#8217;re just going to skim it, you might start with the Preface and Chapter [...]</description>
		<content:encoded><![CDATA[<p>[...] You can read the whole book online. If you&#8217;re just going to skim it, you might start with the Preface and Chapter [...]</p>
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		<title>By: Nina Simon</title>
		<link>http://www.participatorymuseum.org/preface/comment-page-1/#comment-4673</link>
		<dc:creator>Nina Simon</dc:creator>
		<pubDate>Mon, 11 Oct 2010 20:58:36 +0000</pubDate>
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		<description>&lt;a href=&quot;#comment-4672&quot; rel=&quot;nofollow&quot;&gt;@Gwendolyn Kelly:&lt;/a&gt; This is a great point. There&#039;s a lot to clear up in the preface, but I hadn&#039;t thought of this. Thank you!</description>
		<content:encoded><![CDATA[<p><a href="#comment-4672" rel="nofollow">@Gwendolyn Kelly:</a> This is a great point. There&#8217;s a lot to clear up in the preface, but I hadn&#8217;t thought of this. Thank you!</p>
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	<item>
		<title>By: Gwendolyn Kelly</title>
		<link>http://www.participatorymuseum.org/preface/comment-page-1/#comment-4672</link>
		<dc:creator>Gwendolyn Kelly</dc:creator>
		<pubDate>Mon, 11 Oct 2010 20:57:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.participatorymuseum.org/?p=36#comment-4672</guid>
		<description>I&#039;ve been enjoying and getting inspired by the Museum 2.0 website for a couple of months and just started reading the hardcopy today. A small suggest for future versions ... please align the Table of Contents with the summary provided in the preface. The preface states that &quot;This book is organized into two parts. The first part, ... presents three approaches .... The second part .... presents four models ....&quot;
For my notes I wanted to quickly note what the 3 approaches and 4 models were before I continued reading but they were not directly stated in the table of contents. It&#039;s a small thing but could help with ease of study. Looking forward to new learning, practicing, and creating.</description>
		<content:encoded><![CDATA[<p>I&#8217;ve been enjoying and getting inspired by the Museum 2.0 website for a couple of months and just started reading the hardcopy today. A small suggest for future versions &#8230; please align the Table of Contents with the summary provided in the preface. The preface states that &#8220;This book is organized into two parts. The first part, &#8230; presents three approaches &#8230;. The second part &#8230;. presents four models &#8230;.&#8221;<br />
For my notes I wanted to quickly note what the 3 approaches and 4 models were before I continued reading but they were not directly stated in the table of contents. It&#8217;s a small thing but could help with ease of study. Looking forward to new learning, practicing, and creating.</p>
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		<title>By: Ajeng Arainikasih</title>
		<link>http://www.participatorymuseum.org/preface/comment-page-1/#comment-4671</link>
		<dc:creator>Ajeng Arainikasih</dc:creator>
		<pubDate>Sat, 09 Oct 2010 09:14:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.participatorymuseum.org/?p=36#comment-4671</guid>
		<description>Dear Nina Simon,
I just want you to know that your book has inspired me to created a participatory temporary exhibition in Indonesia, and it worked really well! 
The exhibition is about Batik, Indonesian traditional textile, and visitors were able to experience the batik making within the exhibition. They loved it so much! 
Thanks very much!</description>
		<content:encoded><![CDATA[<p>Dear Nina Simon,<br />
I just want you to know that your book has inspired me to created a participatory temporary exhibition in Indonesia, and it worked really well!<br />
The exhibition is about Batik, Indonesian traditional textile, and visitors were able to experience the batik making within the exhibition. They loved it so much!<br />
Thanks very much!</p>
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		<title>By: Jay Geneske</title>
		<link>http://www.participatorymuseum.org/preface/comment-page-1/#comment-4636</link>
		<dc:creator>Jay Geneske</dc:creator>
		<pubDate>Thu, 15 Jul 2010 15:49:28 +0000</pubDate>
		<guid isPermaLink="false">http://www.participatorymuseum.org/?p=36#comment-4636</guid>
		<description>I appreciate the thinking in the five commonly expressed dissatisfactions. I’m a frequent museum visitor, and I work for cultural orgs. I agree that an “unchanging” museum can sometimes feel irrelevant. In fact, you’ll find many people rotate their memberships (one year at the natural history, one at the art museum, one at the zoo). In addition to special programming, exhibits, etc. to create a sense of the new, I’d love for museums to showcase new ways of the embracing the old. For example, I visited American Natural History Museum last week. Amongst the old/familiar, I began to notice how the museum signage—when taken out of context—produced witty, sometimes even profound “statements.” In fact, their perspective affected my point of view on the collection in an interesting way. Here are photos of a few of the signs:  http://bit.ly/9WJcSy. So, I stumbled upon an experience that reversed the thinking in points 1-4, maybe even 5.</description>
		<content:encoded><![CDATA[<p>I appreciate the thinking in the five commonly expressed dissatisfactions. I’m a frequent museum visitor, and I work for cultural orgs. I agree that an “unchanging” museum can sometimes feel irrelevant. In fact, you’ll find many people rotate their memberships (one year at the natural history, one at the art museum, one at the zoo). In addition to special programming, exhibits, etc. to create a sense of the new, I’d love for museums to showcase new ways of the embracing the old. For example, I visited American Natural History Museum last week. Amongst the old/familiar, I began to notice how the museum signage—when taken out of context—produced witty, sometimes even profound “statements.” In fact, their perspective affected my point of view on the collection in an interesting way. Here are photos of a few of the signs:  <a href="http://bit.ly/9WJcSy" rel="nofollow">http://bit.ly/9WJcSy</a>. So, I stumbled upon an experience that reversed the thinking in points 1-4, maybe even 5.</p>
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